Creativity adds up

  33% writeR          
      33% creatIVE     
            33%thinkER 

Getting to the top of the world

HEAD IN THE CLOUDS OF MOUNT FUJI. NIETZSCHE LOVED A MOUNTAIN.
EVEREST BASE CAMP, SHOT ON IPHONE
CLOUDS MOVE FAST. GOOD STORY BOUT IT

Short films & animations

My story☟           

Who I am:
VCA, priceless friends, personal poverty. Reality.
Making a living. 'Sold out', artists may say.
Always a writer, film/animation maker, a communicator.
Digital native creative. Good on tools, mastering copy/content.
Ask me for caps, grammar, and
breakpoints.

Finna get paid. FR. (Ye I speak millennial)

RMIT AD GRAD on a HD in 2017. Intern and employee 2016.
Ever thinker. FT Worker. Logos n' life collector.
Street photographer. People + culture.
Mum book designer. Dad speaker/writer.
3 pro trades, jack of the rest.
Thinking is free. Hard worker.
Guaranteed.



Where I come from:
95 era, Carlton,
Born after giant ;
Finn McCool, Ireland's coast maker.
Both us say Finn's not short for anything too much.
Both gi-g-aaaaaiiiinnntticc, {Pixies} in our ways.
Creators, one day I'd like to belong in Finn's shoes.
I am unusual. A decade ago, High School in VIC's top 2.5% VCE. Nerd dude.

My goal always get a place at College of Arts, no need 4 grad score.
So focussed/obsessed, no need for a score.
Afraid of failure? Pleaser/Achiever?
Lucky? IDK either.
Only 1 of me ever.

A hard working, success striving enigma. Or just Finn.

Phosphene

Definition: The hallucination behind the eyelids caused by pressure or absence of light.

Phosphene considers a screen's purpose untied to a viewer.

Translating a screen's thoughts and images, it observes by merging found footage with external footage of digital displays in their surroundings. Contrasting the rapid modernisation of Beijing with the vacant landscapes within Inner Mongolia.

The screen without a viewer is resituated as a mirror, replaying an inherited reflection of the society and structure they are installed or displaced within.

The film and sculpture were displayed at the Inside Out Museum in Beijing, and  public spaces in Melbourne, KINGs artist run gallery, and Testing Grounds next to the NGV in Southbank.

Downpour

'Downpour' is a meditation on 'white guilt' and a critique of colonisation's misguided good intentions, highlighting that Aboriginal communities in Australia still lack access to clean water.

The film follows a white man carrying a solar-powered water fountain in an Elizabethan style, paralleling the route of explorers Burke and Wills.

Through this absurd journey, the film underscores the lack of contextually relevant support for Aboriginal communities in the desert.

The film was unplanned; the footage was captured along the way, depicting the ill-prepared man's struggle, bare feet on hot asphalt, and the unrelenting backdrop of the Australian desert eroding the objects of colonial civilisation slowly.

After the Tone

'After the Tone' is a film and sculpture on joblessness. For many young adults, a "proper job" defines identity as a capitalist norm.

The film follows a character who, after losing their job, drifts aimlessly with their belongings in an empty city. Shot between 2 and 5 am in Melbourne, the absence of people shows the city as purposeless.

The film's sole proof of current human life is a 5-metre neon sign suspended over a commuter freeway. The neon work invites calls and is connected to a live number. During the exhibition, the film loops, mirroring 9-5 monotony, with confused public calls layered as audio. It won a national prize upon its 2017 release.

Mind (Animation)

'Mind' was shortlisted for Victoria's 'Top Arts'. A charcoal stop-motion that uses sound and visuals to take the viewer on a journey through the monkey mind of humans.

Inspired by the quote: 'He who makes a beast of himself gets rid of the pain of being a man', Samuel Johnson.

The animation has thousands of hand-drawn frames with no computer effects.

Caution contains strobe-like lights and loud sounds.





        " The limits of my language are the limits of my world. "    
— Wittgenstein —

Birds flying high in the sky